![]() It took a while, but again it looks like the Final Cut Pro X team delivered a update that will improve peoples workflows considerable in some areas as well as save time and hassle when cooperating with others. If you want the whole shabang, check out Apple’s release notes here. Behaviors and keyframes can be used to manipulate the position, rotation, and scale of a model, and take advantage of existing replicators, emitters, lights, and cameras. Motion - Apples underrated but very powerful motion graphics tool - gained the ability to import third-party 3D models or choose from a built-in library of 3D models in the USDZ format for use in titles, generators, effects, and transitions. Compressor gained the ability to support custom LUT effects, the ability to use Camera LUTs to convert log-encoded footage to SDR or HDR outputs, and other workflow enhancements. Image Credit: Apple Compressor and Motionīoth companion apps of Final Cut Pro X have been updated, too. One-click-tools to stabilize 360-degree footage.įinally: Easy Audio Crossfades.360-degree stereoscopic 3D video preview in left and right eye views in the 360° Viewer.Last modified date in list view - Useful if you are working on a lot of projects within a single Library.Audio crossfades on neighboring clips can be added in one step using a menu command or keyboard shortcut - Thank the editing gods for this little improvement.ISO, color temperature, and exposure of ProRes RAW files can be adjusted using controls in the inspector - Awesome, if you are editing ProRes RAW files that are recorded by ATOMOS recorders in combination with some cameras and the DJI Zenmuse X7 drone camera.Duplicate Project As command with Smart Conform to create a social media version of your project.Custom Overlay as an on-screen guide to place text and graphics within a square or vertical frame.Transform Overscan: view media outside the viewer borders when adjusting scale, rotation, and position - see what you have outside the cropped region.This should make the process less painful. Automatically transform projects for vertical or square formats using Smart Conform - unfortunately, filmmakers have to deliver different aspect files.It’s possible to create a proxy-only version of a library, which is awesome if you want to take a massive library on the road or share it with a collaborator over the internet.So it should be possible to work in a mixed Proxy/full res workflow. Now you can choose whether it should use the available “original” or “optimized” media instead. When using proxies, Final Cut Pro X would not display footage that was present on the system, but no proxies were available for that specific clip.Now you have the choice between ProRes Proxy or H.264 codecs. ![]()
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